Just a few
quick thoughts this week as I'm packing for a trip this weekend.
Detective
Comics #948
Maguerite
Bennett joins James Tynion IV to set up her Batwoman ongoing. I was a
bit worried that this would be another divergence from the series'
ongoing concerns like the Night Of The Monster Men crossover.
Frankly, I want to get to the bit where Tim Drake makes his dramatic
return. And, well, this is a sequel to Night Of The Monster Men but
I'm always up for a bit of Marguerite Bennett, even if the interviews
she gave about her Batwoman series make me feel old because she says
a character I think of as “new” was a great inspiration to her in
high school.
Still, this
storyline feels a lot more relevant than Monster Men did. Given this
is half an origin story for Kate her father gets a lot of time in the
spotlight, both in flashback and in his cell. The origin stuff
concentrates on Kate's first days as Batwoman rather than her being
cashiered from the army, which is good because we have that story
already.
I do hope
ARGUS post-human bioweaponry expert Dr. Victoria October is going to
end up a regular somewhere. She drops a mention she's known Batman
for a while so hopefully there's some history planned out for her.
Plus, the
art is spectacular. Is Ben Oliver doing the art on Batwoman? I hope
so, the art here has a fantastic painted look to it that really suits
the character. He likes big panels and expressive close-ups on his
characters.
Daredevil
#15
Fifteen
issues in and I'm still not sure about this incarnation of the
series. I don't hate the return of the secret identity or the
prosecutor angle, I don't dislike Blindspot as a sidekick, it just
isn't clicking.
Still, this
issue sort of took a break from the major themes of the series.
Blindspot and his new status quo gets a little time but by and large
the plot of this one is a scheme by Matt Murdoch to take a contract
out on himself to lure out some assassins for... well, that's not
quite clear yet. The tone is more whimsical than this series has
been, rather more like the pre-Secret Wars version and that I very
much liked.
Honestly,
though, this series is living on borrowed time with me but I guess
I'll see out this storyline.
Jessica
Jones #4
This series,
though, I am convinced by as things are finally coming together. Not
only is this series making something of what I assumed to be the most
pointless part of Civil War II but Bendis is getting around to
explaining what the hell is going on with Jessica and Luke Cage after
only four issues. For Bendis this is commendably fast.
Also, Bendis
writes the hell out of Misty Knight and Luke Cage. I do so love Misty
Knight and Bendis writes her as Luke's voice of reason here, down to
Earth and sensible. She has a very poor opinion of Jessica, which is
not surprising in the circumstances and not entirely unjustified even
now we have an explanation.
There's also
one of those Bendis police precinct scenes full of all the usual
madness but also featuring a new detective character who promises to
actually be interesting. Given how Jessica has become more of a
mainstream superhero over the last decade, I think this character has
the potential to be the outsider looking in on the world that the
series needs. Frankly, Jessica who has been an Avenger doesn't have
that anymore but this detective seems to have experience with the
superhero world, just enough to fulfil that old role.
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