(SPOILERS
for The Horus Heresy: Primarchs: Leman Russ: The Great Wolf by
Chris Wraight)
I picked up
Chris Wraight's Primarch's novella The Great Wolf
on a whim. I don't follow the Horus Heresy series as closely as I
used to, just checking in when a particularly attractive pairing of
author and legion comes up. Usually, Chris Wraight writing Space
Wolves would be a easy sell: I like Chris Wraight, I like how he
writes Space Wolves. The only sticking point was the subject of the
novella.
Its
the duel with Lion El'Jonson.
Now,
I get it. Its a hugely iconic moment in 40k history, its a big
personal moment for both primarchs and there really isn't a place to
slot it into the regular Heresy novels quite aside from the fact it
isn't something that could really fill out a full-length novel. The
Leman Russ novella was a natural home for it, especially as I'd bet
the Lion novella will be about his relationship with Luther.
Still...
Chris Wraight, Space Wolves, give it a try, I though. It started off
great with the Thirteenth Company of all people being one of the main
focuses of the story. Hell, Wraight even remembered the existence of
Bulveye, now that's what I call fan service! Indeed, it took a while
for the Dark Angels to turn up and I basically convinced myself that,
okay, this was going well and was interesting and I could take the
hit if the Lion bit wasn't as fun.
Well,
I was wrong. The Lion bit is great because unlike most other authors,
Chris Wraight has something more to say about the Lion than to wiggle
his fingers and go “ooooh, untrustworthy and mysterious”. One of
the first scene Russ and the Lion share has them basically comparing
their ways of war. Russ, as long established, takes his wars very
personally. He's the Emperor's appointed executioner, after all:
“Ever
world we burn is for vengeance. They are condemned, he
is condemned, and we are the sanction.”
The
Lion, meanwhile, has a far more impersonal take on the whole affair:
“For
me, the order was simple – go out, harvest worlds for Terra. I
carry no hatred for those who resist. I barely see them. They are
numbers, objects, obstacles to overcome. In the end the Great Crusade
is all, and it stands or falls by our actions.”
As
prosaic as it sounds, this is probably the deepest insight we've ever
been granted into Jonson's mind. Most of the Legions gain their
character from the personality of their primarch but Jonson has
always been a mystery so Wraight works backwards: he takes the
mindset of the Unforgiven and applies it to the Lion. He takes the
cold singlemindedness with which the Dark Angels and their successor
hunt the Fallen and asks what that would mean for a Jonson who has
nothing to hide yet. Actually, the fact that Jonson has nothing to
hide at this point, is a central theme of the novella and his
conflict with Russ (hint: it has something to do with the Thirteenth
Company).
Its
certainly a more interesting approach than just having the Dark
Angels always being untrustworthy dicks since day one which has
tended to be how other authors treat them. And I'm not ust beating
down on the “lower tier” Heresy writers here: Dan Abnett is just
as bad for it in Unremembered Empire
with Jonson forgetting to mention to anyone that he has bloody Night
Haunter on his battlebarge because that's not the sort of thing
that's going to come back and bite him on his knightly arse.
So,
yes, for the first time ever I find myself interested in the Lion and
it makes me want to dust off my Angels of Redemption. I've always
liked the colours and the mechanics but now I have an insight into
their psychology: the mission is everything without consideration of
personal glory. Now, this gets a lot less heroic in the “present
day” where that purity of purpose gets twisted into an endless
quest of vengeance against the Fallen that has them regularly
abandoning, selling out or massacring allies left and right but that
psychology still holds true to a large extent.
Wraight's
angle on the Lion also has the virtue of, just for once, not painting
the Dark Angels as being entirely in the wrong. As much fun as I have
tweaking our resident Dark Angels player's nose with the phrase
“heretics in skirts”, a problem that comes up an awful lot is
this:
“How
does anyone trust
these guys?”
So
having a novella that shows them on a good day when there's no reason
to (intentionally) betray anyone is a breath of fresh air. It
genuinely is the first time I've seen them portrayed with the
efficiency for war that gives them value as a fighting force and not
just a bunch of shifty guys who swoop in, mysteriously abduct a
mysterious person for mysterious reason and then massacre a hundred
thousand Guardsmen for having seen too much. Or, to put it another
way, as an army that works outside of their one USP storyline.
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