Its been a
while, hasn't it? I fell out of reading for a bit and its taken me a
while to catch up given that, at least on the Marvel side, at any
moment my reading please could be ambushed by sudden Nazis. Anyway,
I'm caught up now and there was even a hot new series that a couple
of people insisted I should check out. So, without further ado...
Mech
Cadet Yu #1
I bought
this because of the names on the cover. Greg Pak wrote one of my
favourite comics ever, Incredible Hercules,
and with artist Takeshi Miyazawa he co-created Amadeus Cho, one of my
favourite characters. Seeing the two working together again was an
instant sell.
Did
I like it? Well, yes, but with reservations. The story is set in a
world where giant alien robots turn up every couple of years and bond
with human pilots. Its been going on so long that the military has
institutionalised it: there's an academy where the graduations are
timed to match the arrival of new suits. Our protagonist, Stanford,
is a kid who works with his mother on the academy's janitorial staff
and dreams of being a mech pilot. One of the cadets, who has been
chosen for the next round of mech suits, gives him shit for being
working class, his mother thinks the cadets are idiots and doesn't
want her son anywhere near the suits, and the day of the mechs are
meant to arrive Stanford hangs around the landing site in a sulk.
You
can pretty much guess how it goes from there. Its not bad, by any
means, and I've never stood by “predictable” as a criticism but
for the moment its all a bit standard. Given the pedigree of the
writing I have high hopes but anyone expecting to have their minds
blown by the first issue would be disappointed. Still, the art is
great with Miyazawa drawing big panels with plenty of space for
facial expressions and wide shows of Arizonan wastelands.
So
far, the characters aren't grabbing me but the situation is
fascinating and I really want to know more about the world Pak and
Miyazawa are setting up. Mention is made that the first mech pilot,
Skip Tanaka, has been off planet for many years so not only do things
from space come to Earth but humans have gone out there, at least the
ones in robot suits. Yes, I'm very much looking forward to seeing
where this is going.
Spider-Man
#19
You
know what my favourite thing about Bendis' old Ultimate
Spider-Man
run was? Those single issue stories he'd do between big arcs that
honed in on a single character's state of mind at that moment: Aunt
May in therapy, Peter cussing out Nick Fury in an alleyway, Gwen
processing her grief and confusion over finding out Peter is
Spider-Man...
Anyway,
this is a return to that. In an issue almost completely free of the
ongoing superhero plot (aside from a quickie scene with Hammerhead)
the focus here is on Ganke and Miles having a long talk about whether
Miles really wants to be Spider-Man, whether he wants to be part of
another man's legacy. I mean, as timeless questions for a teenager to
ask that's definitely one of the big ones, right? Its a superhero
version of whether a kid wants to take over the family business just
because they carry the name that hangs above the door.
Also,
I don't think I've mentioned how much I enjoy Rio Morales being alive
in the mainstream Marvel Universe. Right now, Bendis is hitting it
out of the park on the journey he's taking Rio on as she learns all
the secrets her husband and son were keeping from her. I do hope she
and Jefferson get back together, though, as much as his slightly cold
and too logical explanation of his actions makes me start to root
against him.
Nightwing
#26
Speaking
of relationships I like, I'm very glad to see that the end her
relationship with Dick Grayson hasn't seen Shawn Tsang bow out of
this series. She's an interesting character and now that Pigeon's
returned we get to see her in the relationship we got told a lot
about but never actually got to see (presuming she and Pigeon were
new characters created for this series, my knowledge of lower end
Batman rogues isn't exactly perfect).
Then
there's Helena Bertinelli, teaming up with Dick once again to hunt
down a mafia hitman in Sicily. Its great to see their dynamic at work
again, especially with Dick's narration switching between the face he
wants Helena to see and the inner turmoil he's feeling after Giz's
death at the end of the last issue. Tim Seeley has always had a nice
line in reminding the reader why Dick is unique amongst the Bats: its
all in his relationships. You can't imagine many of his brothers
beating himself up in the shower after the funeral of someone who
was, really, not a particularly close acquaintance, this is the sort
of self-doubt the others would reserve for a teammate, a comrade in
arms.
Its
an interesting emotional note to have the character on as the issue
dives towards solving one of the big mysteries of the present
storyline.
Star
Wars: Darth Vader #4
Fight
scene issue. Its a good fight scene with Guiseppe Camuncoli and Cam
Smith providing fantastic visuals but after the last three issues of
solid, interesting character work it feels a but light. Definitely
this is the sort of comic that will work better a chapter in the
trade instead than it does as a single issue.
Generations:
Totally Awesome Hulk/Banner Hulk one-shot
Okay,
so an even going on in the middle of the run of another event (Secret
Empire).
Yeah, that's not saturating your own market. Idiots.
Anyway,
my ongoing bitterness aside, this Generations
thing, based on this issue alone, seems to a) be more interested in
doing small single issue stories related to specific series and b)
completely Nazi free, which is an unexpected bonus. In this case, we
have Amadeus Cho travelling back in time through mysterious means to
meet Bruce Banner back in the early days of running around the
midwest homeless and dodging his future father-in-law General Ross at
every turn.
Best
of all, this issue isn't a throwaway, it has definite consequences
for the ongoing story in Totally
Awesome Hulk
and dives into the ongoing debate Amadeus and various characters have
been having about whether the Hulk is necessarily a curse.
You
know, so long as this doesn't turn out to all be an excuse to drive
the entire publishing line back to fandom friendly nostalgia, I think
I might end up liking this project.
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