Once again we delve deep into the mess of opinions and tangents that is my mind as I present my weekly thoughts on last week’s comics. They’re very slow opinions and tangents.
Two Young Men, Out On The Town
World’s Finest #1 of 4
Book One: Nightwing and Red Robin

Writer: Sterling Gates
Pencils: Julian Lopez
Inks: Bit
Colours: Hi-Fi
Yes, I know I said I was off the limited series for a while but this one’s by Sterling Gates and I feel that gives me a bit of leeway on my resolution. Gates is a real talent and having made me actually like the Supergirl character (you have no idea what a feat this was) I was wondering what he’d do with some of the other toys. After all, this is the man they’re trusting with dear Bart’s ongoing.
Anyway, the first issue follows Red Robin and Nightwing (the Kryptonian one) on a rescue mission. The story is quite straight-forward and linear but its carried by Gates’ use of character. It starts much as Red Robin’s guest spot in Adventure Comics a few weeks back: Tim’s doing something semi-suicidal and gets some help from his team-up partner. Tim’s character is consistent with his other appearances: selfishly pursuing his own agenda until world-shattering consequences wake him up. Nightwing is earnest, serious and in love and seeing him in Gotham’s murky underworld is a nice change from shiny, modern Metropolis.
Gates’ best work, however, is in menace du jour the Penguin who gets to be properly villainous for a change. For too long the character has been hamstrung by his semi-alliance with Batman but here he’s back to running a good, old-fashioned superhuman black market. It really is nice to see him being a proper villain again, serving the better quality of bad guys from the back rooms of the Iceberg Lounge.
This issue forms a good done-in-one with just a little epilogue that I hope is relevant to the rest of the series and not just a tease for further events in World Against Superman. On its own merits readers of Red Robin will get a nice little something extra whilst those coming in from Action Comics will see that series’ characters acting outside the usual strictures of their tightly-plotted meta-arc.
The Stench of Death About Them
X-Necrosha one shot 
X-Men crossovers have been getting better the last few years. Messiah Complex, Original Sin and Messiah War all benefited from a commendable focus, so you can understand I have high hopes for Necrosha.
Nechrosha: Chapter One (Craig Kyle and Christopher Yost / Clayton Crain) certainly starts the one-shot on a high with various deadists infiltrating Utopia. The big problem is the nature of the dead rather lends this story a “something for the fans” feel. Take the Hellions, for instance, their deaths always an important part of Emma Frost’s psychology and I know they existed and I know they died but as individuals I’ve never had much exposure to them. It makes it all the more annoying that they don’t get individual little name tags like all the other returning characters in the book. I can’t really criticise on this count, however, because I am a massive X-Men fan. A few slight gaps aside I pretty much know the mythos inside out and any gap I do find I tend to appreciate as a challenge.
Clayton Crain’s art is as good as ever and I would like to point out his skin tones for particular praise, I love the mottled effect he uses for skin. Also, I think this might be the first time I’ve seen an umbilical cord portrayed in a comic. His art is really, really dark. I don’t mean emotionally but visually with deep shadows everywhere, lending the entire affair a certain claustrophobia that zombie stories really aren’t complete without. This story absolutely drips atmosphere.
Far less dark and atmospheric is Binary (Zeb Wells / Ibraim Roberson / John Rauch), a rather light prologue to events in New Mutants with the actual raising of Cypher from the dead and showing him infiltrating the Hellions onto Utopia. Having read New Mutants #6 this week as well, to be honest, Binary is quite skippable apart from a last panel reveal that adds a little explanation to some of Cypher’s later actions.
The Foretelling (Mike Carey / Laurence Campbell / Matt Milla) similarly prologues X-Men: Legacy with undead Destiny popping in for a chat with the X-Men’s current resident nutter precog Blindfold. I’m looking forward to the Legacy arc of Necrosha, especially as I’m wondering how Rogue will react to Destiny’s return (could we hope she will finally use the word “mother” in reference to the woman?).
A Small Tony Daniels and Coke, Please Barman
Batman #692Life After Death part 1:
The Awakening

Writer and Pencils: Tony S. Daniel
Inks: Sandu Florea
Colours: Ian Hannin
Proof if proof were needed that Batman is not Daredevil. This issue marks the return of Tony Daniel to the writer’s chair after Judd Winick’s brief run. Last issue Dick found a USB stick containing information on his parents’ murder and in this issue that information is not mentioned at all. In fact, this issue continues pretty much seamlessly from Daniel’s Battle For The Cowl limited series. Suspicious that…
Anyway, oddities of continuity aside, it has to be said that this issue is far superior to Battle. There Daniel was hamstrung by another author’s pre-determined, obvious conclusion and a mystery whose too obvious resolution was entirely unsatisfying. Here he gets to play with all the toys, chart his own course and the package is far more satisfying all round. He even brings in the legacy of the Falcone family and its sole remaining heir, adding a new dimension to Batman Reborn’s underworld shake-up.
What has not changed since Battle is the high quality of Daniel’s art, most notably a scene with Batman fighting a gang of mobsters out in the countryside. The scene is atmospheric, well-written and best of all Daniel shows off some acrobatics in Batman’s movements that would look unnatural with Bruce but fit perfectly with Dick’s style.
Daniel’s definition of Dick is interesting in the relationships he assigns the man. In a scene with Gordon he shows Dick to make a slip in the façade and Gordon corrects him: “Batman doesn’t need my permission.”. In the next scene we have Dick trying to forge a deal with Catwoman which he cocks up royally. He tries to manipulate her and fails, he tries to dominate her and fails and she effortlessly seizes all initiative from him.
Oh, and I love that Falcone and his goons still dress like it’s the nineteen-thirties.
The only problem with the issue is that I’m not sure how it all ties together: the opening with Gordon; the Black Mask’s little plan (and Nosferatu costume); the Falcones’ return and attendant Long Halloween flashback… these elements feel a little disjointed but I’m willing to be optimistic because Daniel seems to be weaving a competent little mystery.
It’s the End, But…
Dark Reign: Young Avengers
Young Masters part five

Writer: Paul Cornell
Pencils: Mark Brooks
Inks: Walden Wong
Colours: Emily Warren and Sotocolor’s L. Molinar
“Nobody will ever hear of it. It doesn’t count.” - Norman Osborn.
For years now with the Young Avengers its been a case that something is better than nothing. By and large the YA limited series have been quite satisfying, the Secret Invasion tie-in was a little weak but beyond that Civil War and Young Avengers Presents were strong little affairs. Dark Reign: Young Avengers is definitely in the latter camp, in fact I’d rate it as the best Dark Reign tie-in I’ve read.
Its greatest achievement has been creating new characters Id love to see again. Now Big Zero, Egghead and Executioner I could happily take or leave but the Enchantress, Melter and Coat Of Arms really interest me. I can see a bright future hero’s journey for Melter, the revelation of the Enchantress’ true nature has possibilities and Coat is just cool. Sadly, it was never on the cards that they’d stick around. Each Young Avengers series has had to include a nice big reset button to make way for the (eventual) Season Two series from Heinberg. Its just never been as pronounced as this before, though.
The meat of the issue is a fight between the Young Avengers and Dark Avengers with the Young Masters choosing sides as they go. As a conclusion it has much to recommend it: there’s plenty of action, character moments galore and Mark Brooks has rarely turned in a better issue. In the past I’ve been quite critical of Brooks’ facial work but this series has shown definite improvement for him in that area as his anatomy in general becomes less blocky and angular. There’s even a very cute, off-beat epilogue that had me reaching for YouTube to understand it.
Unfortunately, the big red reset button rears its ugly head and what could have been the start of something cool will probably be the last we see of three relatively interesting characters and three other very interesting characters.