Tuesday, 9 February 2010

Wonder Woman goes cruising for girls...


… and she likes to keep it anonymous, too.

(picture sourced from Diana Prince, Wonder Woman volume 1 written by, believe it or not, Denny O’Neil)

Monday, 8 February 2010

Comics Ramble. Thank Zod It's Monday


Once again we delve deep into the mess of opinions and tangents that is my mind as I present my weekly thoughts on last week’s comics. They’re very slow opinions and tangents.

BOOK OF THE WEEK
Red Robin #9

Collision part one of four

Writer: Christopher Yost
Pencils: Marcus To
Inks: Ray McCarthy
Colours: Guy Major

What’s Good About It?
This series has definitely grabbed me now. One thing Yost really has down is how well he reflects Tim’s emotional state in the narration. With some actual, physical evidence on his side and a clear win over the League of Assassins, Tim has returned to Gotham, regained his sense of humour and has finally noticed that Tam Fox is a girl. We even see him tackle an old school Batman villain in Killer Moth, which could have only been made better for me if it was the Condiment King.

The highlight of the issue though is a fine scene between Tim and Superboy which is actually better than the scenes they shared in Adventure Comics. Its cool because its two best mates reconnecting, as weird and sci-fi as the circumstances of their estrangement might be. It all leads to a lovely moment of mental peace for Tim…

… which is promptly shattered by Ra’s Al Ghul. This is another thing I’m liking about this series: the dynamic between Tim and Ra’s. Since the old Chuck Dixon days, Tim as a character has had to fight for the spotlight, always reverting to his default state as Batman’s sidekick. By having him take on Ra’s, a truly top card Bat-villain, and giving him this new Red Robin identity Yost might finally be securing Tim as a real player in the DCU.

I’m even starting to like that costume.

Also, any comic with that last-page reveal guest star is good by me.

What’s Bad About It?
Vicki Vale’s scattershot investigation into Bruce Wayne being Batman continues. Meh. Also, petty, I know, but giving Tim a love interest called Tam? You’re just designing them to be an insufferable couple, aren’t you, Yost?

The Big #1
Ultimate X #1

chapter one: His Father’s Son

Writer: Jeph Loeb
Pencils: Arthur Adams
Digital Inks: Mark Rosian
Colours: Peter Steigerwalk

What’s Good About It?
I did not like Ultimatum. This doesn’t make me unique, I’m aware. However, I did like parts of it. I thought it was too gorey, I thought the level of death was tacky but the visual of New York obliterated under a tsunami was, I thought, just the sort of kick the staling Ultimate Universe could do with. Now we reach part two of Leob’s master plan.

So, with mutants now having the choice of being turned in to the government or shot on sight, a new mutant, Jimmy Hudson by name, is coming into his inheritance. Most of the issue concerns his home life, meeting his family and friends. Into his life bursts Kitty Pryde to tell him who he really is and ruin his life.

Jimmy has a happy home life, which is more notable than it should be for a superhero (if he’s going to be a superhero). Leob does good work to establish Jimmy’s life and make him sympathetic before shattering everything. The big secret is revealed to the audience long before its revealed to Jimmy and it works, watching the poor lad getting closer and closer to the inevitable revelation.

Adams’ art is as good as ever even if the minute detailing of his figures can be a bit distracting. His Kitty Pryde is especially good on account of she looks like a teenage girl in her shapeless summer dress. Her body looks to be at the right developmental stage for her age, which is rarer than it should be for teenage superheroes, especially the female ones.

What’s Bad About It?
As a first issue this is actually quite good. Its certainly better than Ultimatum (jokes about anaesthetic-free surgery come to mind at this point, but I shall restrain myself). Its actually circumstance more than individual merit that means I won’t be picking up the next issue: the bi-monthly nature of the book, the high price band and the fact it builds on a series that didn’t wow me to start with.

That said, I’ll be keeping an eye on reviews to see if the trade is worth picking up.

Annually Retentive
Justice Society of America Annual #2
Walking Papers

Writers: Keith Giffen and Matthew Sturges
Pencils: Tom Derenick
Inks: Rodney Ramos
Colours: Allen Passalaqua

What’s Good About It?
Well, I liked the ending, the resolution the tag “… and one shall leave them!” on the cover. I hate that character, they were interesting when they were introduced but recent changes to the character haven’t grabbed me.

It also has to be said that this annual works as a supplement to several series. As well as Justice Society of America the cover touts the All-Stars but with Giffen co-writing it also acts as an annual for his Magog ongoing. In fact, there are important developments in Magog’s story in these pages. This is certainly value for money, if nothing else.

As to plot, the basic gist is that the JSA and the All-Stars are responding to a jailbreak (that Magog may or may not have started) at the prison for supervillain geniuses from 52. So we have two large teams of colourful heroes fighting a large collection of colourful villains and more than enough friction between the JSA two teams to keep the character-based drama interesting.

What’s Bad About It?
Essentially this annual is one long fight scene. There are a lot of character moments during the fight and the plot is solid but this isn’t one of those annuals that uses its extra pages to cram in supplementary materials and extra short stories. This is one unified story and readers more used to the multi-story approach used, for instance, in the recent JSA 80-Page Giant, may be disappointed.

It’s the End, But…
Superman: World of New Krypton #12

Finale

Writers: Greg Rucka and James Robinson
Pencils: Pete Woods
Inks: Ron Randall
Colours: Nei Ruffino

What’s Good About It?
First of all: General Zod is great, isn’t he? I really dig General Zod. Like Star Trek’s Gul Dukat he has the dual roles as opposition to the hero and as patriot to his own people with both perspectives being equally valid.

I was sad to see this series end, actually, but glad that it didn’t end with wholesale planetary destruction. New Krypton is too good a setting to waste so soon. This series has done a great job of constructing a new world, literally through showing the Kryptonians constructing their new world. That would have been good enough but, contrary to my expectations, the series actually resolves as a mystery series with disparate parts of the past year’s Super-books plots tied together into one whole.

I honestly wasn’t expecting that, in a series like this I expected a big action-based finale. Rather we get a parlour scene set against alien landscape and it works gloriously because its all about the alien world Rucka and Robinson have spent the last year building.

I definitely want to see more of this Kryptonian society.

What’s Bad About It?
To be honest, I have no real criticisms of the finale. Yes, it ends on a whacking great cliffhanger to lead into the next Super-books event but was expecting that. It was well-advertised and given the amount of time given to resolving the individual plot of the issue it was clear there wouldn’t be time for New Krypton itself to be resolved as a plot point.

If the series itself has one flaw its that it lacks self-containment. The mystery requires information from other series (not least of which being Supergirl) to be entirely comprehensible and there’s the Codename: Patriot crossover issue sitting in the middle of the series like an elephant on plywood workbench.

Sunday, 7 February 2010

Doctor Who Despair 3 of 159- Inside the Spaceship


Not “The Edge of Destruction”, I’m not budging on that one, I’m afraid.

Wednesday, 3 February 2010

Adventures with the Great British Public

In a way its good that this shit happens to me because, in retrospect, its funny. At the time annoying, yes, but I tell these stories mainly to amuse and one day it’ll make good fodder for fiction.

Anyway, we had an Environmental Health inspector come into the kitchen a few days ago. Nothing bad, just an annual inspection the company commissions to make sure everyone knows their stuff. Chap comes in, asks a few questions, clarifies a few points and goes away satisfied.

It was going so well until I answered a question.

Now, in case this situation arises in your lives, I would like to point out that there are two reasons a cook might be lecturing a man in a long white coat about the necessity of segregation.

Granted, explanation number one is that the cook is a massive racist. Explanation number two is that the cook is explaining to an Environmental Health inspector the importance of segregation in the sense of separating different types of food to prevent cross-contamination and the resulting cases of food poisoning.

Please, consider which is the more likely explanation before you burst into the kitchen to accuse the cook of being a race-hating fascist.

Tuesday, 2 February 2010

Comics Ramble. Exploring My Ignorance

Once again we delve deep into the mess of opinions and tangents that is my mind as I present my weekly thoughts on last week’s comics. They’re very slow opinions and tangents. With thanks to Saranga, inventor of the New Readers… Start Here review format.

This Man Needs Medical Attention, STAT(ic)!
Teen Titans #79
Home Alone

Writer: Felicia D. Henderson
Pencils: Joe Bennett
Inks: Jack Jadsen
Colours: Marcelo Maiolo

featuring Ravager in Fresh Hell chapter six
Writer: Sean McKeever
Pencils: Yildiray Cinar
Inks: Julio Ferreira
Colours: Rod Reis

What’s Good About It?
Well, the Ravager second feature, obviously. Six months in and McKeever hasn’t turned in a bad episode yet. This issue sees Ravager’s much anticipated revenge on her tormentors begin. Her sheer, brutal joy in her act of revenge (she punches a truck into oblivion, how can I not love that?) is great to watch.

The main feature is also a largely solo affair with Static returning to his hometown of Dakota. Apparently this town was a big part of the Milestone Comics background DC recently incorporated into the DCU-proper. However, I gave up on Justice League before that particular disaster so this is my first exposure to the place. The town seems a complete enough backdrop, enough places and institutions mentioned to place it somewhere higher than the usual surrogate-New York but lower than the fabled Opal City of James Robinson’s Starman, the town that walks like a character. We meet Static’s family and what appear to be a couple of love interests. We also get to see him out on his own where he acquits himself well, showing real investigative ability.

Not that I want this to happen but if McKeever someday wants to wrap up Ravager’s second feature, DC could do worst than replace it with a Static one.

Probably the best recommendation I can give is that after I’ve written this ramble I’m off to YouTube to see if anyone has naughtily uploaded any episodes of Static Shock.

What’s Bad About It?
Please, Felicia D. Henderson, please consolidate Cassie’s leadership at some point soon. In this issue Cassie has a heart-to-heart with Cyborg (and I’m starting to feel about these old Titans characters popping up in Teen Titans as I feel about ancient WCW wrestlers turning up in TNA) which is followed by yet another speech about how serious she is in being a leader. A speech that coincidentally delays the team jetting off to help Static with the bio-chemical danger in Dakota.

And What Did You Say Your Name Was, Miss?
Wolverine: Origins #44

7 The Hard Way part 4

Writer: Daniel Way
Pencils: Doug Braithwaite
Inks and Washes: Bill Reinhold with Gary Erskine
Colours: Andy Troy

What’s Good About It?
Daniel Way writes a good caper story with Wolverine breaking a member of his anti-Romulus team out of a super-prison. Its well-presented, well-paced and has the Son of Hulk fighting Ares, which is a definite plus even if the sequence is far too brief.

What’s Bad About It?
I don’t know who Ruby is. I didn’t know going into this issue and I didn’t know coming out. I guess that either there’s something alien or cyborg-styles going on under that red goldfish bowl or she just has a very long neck and a very small head. This is an X-Men comic, either is equally likely.

But I have no explanation of her in the text. Skaar was well-explained and he has his own series, Silver Samurai was even explained and he’s had quite recent appearances in this very title. Who she is, what she does, why she was imprisoned, how she relates to Wolverine: none of these are expanded on in the least.

Laugh Riot
Captain America #602

Two Americas part 1

Writer: Ed Brubaker
Pencils: Luke Ross
Inks: Butch Guice with Luke Ross
Colours: Dean White

featuring Nomad in Conjunction part 1
Writer: Sean McKeever
Pencils: David Baldeon
Inks: Sotocolor’s M. Bowling
Colours: Chris Sotomayor


What’s Good About It?
For a start, I was wrong in every assumption I made when I read the title “Two Americas” in solicits. With the issue of who will be Captain America tabled following the Who Will Wield The Shield one-shot (and preceding Reborn #6, but that’s a minor grumble, we all knew the outcome ahead of time), Bucky Barnes is still Cap. The second America of the title is Crazy Evil Fifties Cap, who has taken over a group of anti-government militia types.

Bucky-Cap is trying to infiltrate the militia in question and has a plan involving the Falcon that is tactically sound and uses the militia’s racism against them. Brilliant.

The spangly new second feature has Nomad in it and hits the ground running. With Rikki Barnes’ new status quo established in her own limited series she’s now on the trail of the Secret Empire she was fighting there. See my previous fawning praise for McKeever’s Ravager as to why this series is a welcome addition to the title and add to it the fact that Nomad receives an unwelcome team-up from Arana (yay!).

What’s Bad About It?
Not really Brubaker’s fault but… tea-bagging has another meaning in this country. I also giggle every time an American cop show uses the phrase “gangbangers”, the connotations aren’t entirely dissimilar. Well, similarly sexual, at any rate, if very different in execution.

Ignore The Man On The Cover
Detective Comics #861

Cutter part 1 of 3

Writer: Greg Rucka
Art: Jock
Colours: David Baron

featuring The Question in Pipeline chapter two/part two
Writer: Greg Rucka
Art: Cully Hamner
Colours: Dave McCaig

What’s Good About It?
Batwoman is still the cover title on this series, which I honestly wasn’t expecting. True, that odd spin-off character Batman turns up but that doesn’t stop Batwoman’s story being front and centre. Both Batman and Batwoman are hunting the psychopath Cutter who has been kidnapping and mutilating female students from Gotham University. As a consequence we get to see Kate interact with her student cousin, giving us some more of that character background I felt was lacking in her first arc.

Honestly, Batman isn’t that much of a drag on the story, in fact he’s quite useful. Rucka writes great scenes with Dick and Jim Gordon because he’s Greg Rucka, the man who rehabilitated the GCPD into an organisation you might actually trust to catch a criminal. Amusingly, Batman and Batwoman’s investigations proceed quite separately so it seems like more of a race. Place your bets: the proven ability of Batman and Jim Gordon or the hot new talent of Batwoman and Maggie Sawyer.

Also, The Question second feature finally gives definitive proof that it deserves its name. Thanks to Denny O’Neal there’s more to the Question’s legacy than a hat and a lack of facial features. Renee’s Question has done well so far but its only in this instalment that we get some of that trademark questioning in the narrative when Tot reacts with natural and understandable rage at the two “heroes” for letting a known murderer escape in exchange for information about a bigger evil. Its exactly the sort of superhero trope that the old Question series made a habit of examining with unforgiving critique.

What’s Bad About It?
A gratuitous arse shot of Batwoman appears for very little reason. Or possibly not, she’s giving Captain Maggie Sawyer an eyefull so it might have been intentional. Not that Jock really has a style that sells cheesecake, his lines are too jagged and his women are too decently-proportioned. You, know, that might be the oddest complaint I’ve ever articulated on this blog or, indeed, anywhere else.

Sunday, 31 January 2010

Doctor Who Despair 2 of 159- The Daleks

Or “The Mutants (1963)”, fight it out amongst yourselves:

Saturday, 30 January 2010

Ultimate Enemy. My Theory

So, obviously there’s a lot of speculation about who the enemy in Ultimate Enemy is going to be, what with most of the usual suspects having been mercilessly slaughtered in Jeph Loeb’s frankly gratuitous Ultimatum. But I have a theory, based upon the first issue’s cover. Observe:
Now, note the expression on Sue Storm’s face there in the bottom right. I think that recognition is playing its part in that expression. Yes, I know Doctor Doom got himself gorily killed by Be Grimm in Ultimatum but that isn’t the villain I’m referring to. No, I think that Sue’s facial muscles have locked in that formation because she has seen the face of the one man she fears above all others, the one who forced her into so many indignities, many of them involving that self-same facial expression…
… Greg Land: The Maniac Porn Tracer of Old London Town.

Friday, 29 January 2010

Staff Disciplinaries Just Went Hardcore

So, walking out of work yesterday, I happened past my boss talking to some of m’dear colleagues. He was using that tone that bosses the world over use when they’re trying to assure you that they did pass on your request but someone higher up than them and further away from the problem has scuppered all hope.

I just hope I heard him wrong when he told them:

“I have requested ranged weapons.”

Tuesday, 26 January 2010

Raising the Tona

I’m currently halfway through the latest Gaunt’s Ghosts novel and the following thoughts occurred.
This isn’t a rant, this is more in the nature of a begging letter and yes, I would say it to Dan Abnett’s face, just as soon as I’ve finished thanking him for killing off Lilandra in War Of Kings.

Now, I know that rank in the Tanith First-And-Only is fucked. It’s a regiment with three majors, one of whom ranks lower in the regimental hierarchy than the Master of Scouts who I’m not entirely certain is even a sergeant. It’s commanding officer shouldn’t even be an officer, legally speaking.

But this is about Tona Criid. Sergeant Tona Criid. Sergeant Tona Criid who was credited with command of P Company in Only In Death.

Sergeant Tona Criid?

Come on, Mister Abnett, please: you gave that evil-minded rat-bastard Meryn his captaincy. Criid’s better than Meryn, as a leader and a human being. She’s been more important to plots than that walking non-entity Ferdy Kolosim or even some of the significant old hands like Shoggy Domor, both of them captains.

Plus, it’ll also stop any confusion when you inevitably promote her son to sergeant.

… please?

Monday, 25 January 2010

Comics Ramble. In Which Prostitution Fails To Impress

Once again we delve deep into the mess of opinions and tangents that is my mind as I present my thoughts on last week’s comics. They’re very slow opinions and tangents.

A No Risque Investment
Batman: Streets of Gotham #8

Hardcore Nights 1 of 2

Guest Writer: Mike Benson
Pencils: Dustin Nguyen
Inks: Derek Fridolfs
Colours: John Kalisz

Manhunter: Strange Bedfellows
Writer: Marc Andreyko
Pencils: Jeremy Haun
Inks: John Lucas
Colours: Nick Filardi

The following is a description of the brothel Dick Grayson visits (in the line of duty, naturally) from Dick’s own narration: “A lavish club where the rich and the powerful got to mingle with the sick and the deviant under one roof.” This issue contains, without a doubt, the tamest portrayal of prostitution ever to not carry the Comics Code Authority seal of approval. I actually checked the cover to see if this was CCA approved, so little happens.

I’ve been in less civilised restaurants than that brothel. A lot of snuggling on sofas between a lot of very chesty women and a lot of very ugly men, one couple snogging and one lass in leather, that’s what we get shown taking place on the premises. Contrast this to the brothel from Dini’s Detective Comics run which had chains, whips, leather, latex, the works and Dick Grayson calls this place “sick and deviant”? He’s been exposed to the worst the underworld has to offer since he was twelve years old, how can he be so sheltered?

Add to that Dick’s approval of vigilante killing criminals (to Jim Gordon, no less), the fact that this is a two-issue divergence away from the compelling Szazs storyline the series has been building for half a year and the fact I’m really not sure how Dick’s actions at the brothel further his investigation and there’s only one thing bringing me back for part two:

The fact I’d miss the Manhunter co-feature otherwise. Strange Bedfellows is running well: Andreyko’s script is spot-on, we get to see Kate in a courtroom, the whole art team is hitting it out of the part in an understated but awesome fashion and we even get to see Harvey Dent demonstrate his old courtroom pizzazz.

Well done, Mister Andreyko, you are officially a saving grace.

Mental Meanderings on Uncanny X-Men #520

It has been proven by clever scientists that no one reads packaging. Its why a fake version of a product (like Puffin bars are fake Penguin bars) is usually the same colour as the “proper” product.
So don’t slap a Dodsons’ cover on a Greg Land comic, you bastards! That kind of false hope I don’t need.

I Don’t Really Siege What You Were Going For There
Dark Avengers #13

Writer: Brian Michael Bendis
Art: Mike Deodato
Colours: Rain Beredo

My Mission: To read Siege without additional supplementary material, just the core mini and what I would normally pick up. Following Siege #1 itself this will therefore be the first tie-in issue I’ve bought.

That said, I’m glad I was buying this anyway, if I was picking this up extra I might have been disappointed. You see, whilst this is a good and dramatic issue it fails in one vital regard: it has the grand total of fuck all to do with Siege. Asgardians? None. Asgard? Nowhere to be seen. The already established actions of the Sentry in Siege #1? Have not yet taken place. That last one sort of shoots the kneecaps off of one vital plot element of this issue, let me tell you.

Other than that, as an issue of Dark Avengers this is good. We get to see some more of the Sentry’s tortured past, his wife finally stands up and all things are groovy. I enjoyed it, the Biblical stuff fell a little flat for me though I suppose if a villain is going to be the incarnation of any Biblical plague it would be that one, just for sheer evil value.

It just wasn’t, in any real sense, a Siege issue.

Mental Meanderings on Nation X #2
Okay, I was wrong: Northstar has successfully avoided the Gay X-Men Curse. The boyfriend persists and he has even gained a name. He is called Kyle and seeing the usually arrogant and forceful Northstar reduced to the level of lovesick teenager was one of the funniest stories I have read in ages.

Say Hello, Say Goodbye
Outsiders #26

Best Intentions

Writer: Dan Didio
Pencils: Philip Tan and Don Kramer
Inks: Jonathan Glapion and Michael Babinski
Colours: Brian Reber

I have a certain soft spot for The Outsiders. Judd Winick’s run kicked off about the time I started getting into DC and I was with it till the end. Winick’s run wasn’t perfect, not least because his One Year Later plot got pole-axed by editorial indecision, but nothing since ha really lived up to it. Bedard’s run was over before it began, DC pissed Dixon off just in time for him to get halfway through story, Frank Tieri’s Battle For The Cowl story was pointless and the initially-promising Tomasi run was derailed by Batman Reborn.

It was at that point I threw up my hands and gave up. Now there’s a new sheriff in town and Winick’s reputation as my favourite Outsiders author…

… is completely intact.

So, times have changed in the Outsiders: Alfred’s out, the team is based on Brion’s kingdom of Markova and world’s worst father Roy Harper has joined up. An old storyline is bearing fruit, as well: Brion’s much anticipated fall into insanity is continuing apace. Unfortunately, said descent has graduated Brion from simply bland to actively irritating and unlikeable. Katana seems to have lost all the progress she’s made in the last few years back to the bitter misanthrope she used to be. Black Lightning is still on the team in spite of seemingly hating the new leadership. Oh, and I’ve never had much time for Roy Harper.

Better luck next time, DC…

One Last Thing…
To finish on a (sort of) positive note in a disappointing week, if there’s one Avengers title I’ll miss when they all get wiped out after Siege, it’ll be Dan Slott’s always excellent Mighty Avengers.

Sunday, 24 January 2010

RUSSO, WHAT IS THIS SHIT!?

Before we begin and the red mist descends, let me start on a positive note: last night’s Impact! had one of the funniest segments I have ever seen. Abyss’ hilarious mime act behind the oblivious Mister Anderson had me in stitches. On the real life front I experienced a warm, fuzzy glow at the news that Kia Stevens (aka Awesome Kong) had beaten the crap out of wrestling radio personality Bubba The Love Sponge after he Twittered the words “Fuck Haiti”. Less so that following the incident she has requested to be released from her TNA contract.

I don’t usually praise violence in real life but this time I feel like making an exception. Now on to the travesty that was the rest of last night’s TNA Impact! broadcast, point by point:

1) A four-sided ring? Seriously? Why? The six-sided ring existed for a reason: it gave the high fliers and X-Division wrestlers (who were not included in this execrable edition) more manoeuvrability and angles to work from. You could see it in Matt Morgan’s performance in particular: he’s forgotten how to work a traditional ring.

2) Too much talking, too little violence. All those segments and only five actual matches, one of which was… well, it deserves its own bullet point…

3) The Knockouts match was shit! It was about three minutes long (no, I am not exaggerating). Having a good women’s division is one of TNA’s unique selling points, along with the X-Division. Yet what should have been a real production number (Angelina Love returning to the company and fighting the woman who usurped her position) was a completely forgettable affair. There were no near falls and the interference by the Beautiful People after the match actually took about twice as long as the fight itself. Oh, and there are usually two women’s matches to an edition of Impact! as a matter of course.

AND THEY’RE USUALLY GOOD!

4) Re-enacting the Montreal Screw Job. Again, seriously? Its been done dozens of times before in the twelve years since it originally happened. It is tired. It is a trope. Oh, and it emasculates the winner. You know, AJ Styles, your champion, the TNA Original.

5) Fine, make Styles a heel. Fine, make Ric Flair his mentor in underhand dealing. It stops Flair from wrestling, and more importantly, means he won’t have to take off his shirt and expose his wrinkled, saggy man-breasts, so I’m all for it. But please, stop Styles doing those Ric Flair impersonations, it looks like he’s gained a neurological muscle disorder.

6) The Nasty Boys: they’ve always been shit. They retired in the nineties. Not only do you make Kevin Nash and Eric Young (one of your best new talents) sell to these shits you also waste Team 3-D, probably the most famous tag team in the world, on a feud with these fuckers.

7) Just pick a side with Bobby Lashley: consummate professional baby-face or heel-by-proxy with his transparently manipulative wife as puppetmaster.

8) You interrupt D’Angelo Dinero’s feud with Desmond Wolfe so he can sell to Orlando Jordan? At the same time as you’re building the man by having him thrash Wolfe’s arse week after week. Yeah, that’s smart.

9) The one thing TNA has rarely ever been in the past was predictable but they scheduled three debut matches (Nasty Boys, Orlando Jordan, Angelina Love) for one night. Debuts are forgone conclusions, you have to build the new guy and so three of your five matches get predictable endings.

10) And, one last time: five matches in two hours. Russo, what is this shit!?

And don’t get me started on the condition Scott Hall and Six-Pack are in these days…

TNA fans, light a candle and hope this is a temporary aberration caused by Russo going off his meds and Hogan getting off his leash.

Rant ends. Peace out. Going for a drink.

Dr Who Despair 1 of 159- 100,000 BC

Or “An Unearthly Child”, fight it out amongst yourselves.

Saturday, 23 January 2010

Dear Mister Z Wells, c/o Marvel Comics, NYC

Dear Mister Wells,

Its not that I’m ungrateful. Lord knows I’m grateful. You’ve brought my absolute favourite ever X-Man back from the dead. You’ve dragged his best mate back from outer space, as well, to reunite the greatest superhero double act this side of Beetle and Booster. You’ve even expanded and upgraded his powers in a way that is not only logical but fucking awesome.

But could you please stop writing him like a concussed sex offender?

Yours sincerely,


James Ashelford, spinster of this parish.

Friday, 22 January 2010

Vixenification Fails 1. JSA All-Stars

You know, something has been bothering me about JSA All-Stars #2. All in all, I quite liked it, giving some decent centre stage action to one of my favourite characters as it did (to wit, Stargirl) but one guest appearance seemed to fall a bit flat.
You see, Shiv turned up. She ran around, declaring herself to be Courtney’s arch nemesis and references were dropped to Blue Valley and the good old days of Star And STRIPES. Star kicked her arse just to demonstrate how she’s grown (awwwww). But something at the back of my mind was bothering me.

Then yesterday, I decided to write a Star And STRIPES review for New Readers… Start Here and realised what it was.

It’s the same woman, plain in the text. Same stupid hair; same stupid boots; same fourteen programme navel (it looks like an oven control panel to me, either that or she had a Game Boy Advance installed to make navel-gazing between dastardly plans more interesting); same ridiculously flimsy looking Skeletor tribute weapon; different skin tone.

Fail.

Thursday, 21 January 2010

Spider-Man Film Reboot. A Logic Problem


An angsty twat, yesterday.

I’m not usually one for analysing or even repeating rumours but this one got me thinking.

So, in the weeks since Raimi quit Spider-Man 4, Sony has announced a reboot of the film franchise with new actors and new creators. Fine, don’t see the necessity, but fine. My “logic problem” isn’t in the doing of it. True, the film franchise is less than a decade old and even the weakest of the three films (the incredibly patchy third) made pots of money for Sony but I can see that simple recasting might not work for them on a marketing level.

My logic problem is the Ultimate Spider-Man thing. See, the new director has announced the new film series will be based very much on the Ultimate Spider-Man comics. My question is this:

Wasn’t Bendis’ first Ultimate Spider-Man arc basically a pilot for the first Spider-Man movie?

The radioactive spider becoming a genetically-manipulated spider; the Green Goblin as super-soldier experiment, Peter and Harry as childhood friends; MJ there from day one; greater time spent establishing Uncle Ben as a living, vital part of Peter’s life: these are all aspects piloted in Ultimate Spider-Man that made it into Spider-Man 1. So what is there left to import from Bendis to film? There’s this word that keeps coming up, this terrible word: Twilight.

Now, I actually have no problem with Twilight. I think its crap but at the end of the day it is not crap aimed at me. But with the word Twilight comes the words “teen drama” and “angst”.

Firstly, I find it hard to believe the new director could put in more angst to his new films than the previous three managed without having characters actually slitting their wrists and that may cost them that vital 12A certificate. And honestly, I don’t think Spider-Man is really that angsty a character which is why I’ve never really warmed to the Maguire-Raimi interpretation.

To me Spider-Man is about a guy who, yes, gets repeatedly shat on. Ultimately, though, he wins through, he builds himself a nice enough life and he has fun doing what he does. He gets to swing through the air, dozens of storeys above street level with absolutely no fear and is seemingly incapable of going a week without stumbling over a stunning, interesting woman (okay, maybe not Gwen Stacy so much on the “interesting” front). If you can’t enjoy life under those circumstances it isn’t drama, its grounds for professional psychological assessment and the strongest Prozac on offer.

Spider-Man. Should. Be. Fun. No more angst, please, I beg you.

And one final thought: HOW IN THE FLYING FUCK DO YOU EXTINGUISH A MINIATURE SUN BY “DROWNING” IT IN A RIVER? IT’S A GOD DAMN HYDROGEN REACTION!

Wednesday, 20 January 2010

Look away now, its Bad Joke Wednesday again

So, I work with a nice lad who goes by the moniker of Honor-Lane. Yes, he does spell it like that but the parent in question isn’t American. Anyway, I also have this old friend, a nice lady by the name of Harrington-Jones.

It suddenly occurred to me that if the two of them started going out together and he got her pregnant, if they were then forced to get married it would be…

(drum roll please, brace yourselves)

... a double-barrelled shotgun wedding!

Sorry. I’ll be quiet now.

Friday, 15 January 2010

Because I'm a Sentimental Old Fool


(Poster created using the Demotivator Generator, picture sourced from Adventure Comics #6)

Thursday, 14 January 2010

Siege. A Scientific Experiment

So, DC and Marvel have been banging on for years about how contained their giant events are and how optional the tie-ins are. Today I’m picking up the first issue of Siege (no comics last week, bloody snow) so I think I’ll put this to the test. You see, I’ve called bollocks to the claim a few times over the years, not least of which with Final Crisis, whose resolution was quite dependant on material from Superman: Beyond 3D.

However, I always called bollocks from a position of knowledge. Maybe FC made sense by itself and I only noticed the Beyond 3D thing because I’d read it.

So, scientific experiment: read the main Siege limited series without buying or reading anything else additional to what I would usually pick up. No Dark Wolverine, no Embedded, no Avengers: Initiative, none of those titles with Siege plastered across the cover unless I would already be reading them. Just my usual monthly reading.

Yes, I am a bit short this month, why do you ask?

Wednesday, 13 January 2010

Why I hate Lilandra and why I'm Glad She [SPOILERS]


Yes, to re-iterate: spoiler warning, this post contains spoilers concerning recent events in Marvel’s War Of Kings cosmic event and the ongoing story of the Outer Space X-Men. We continue after the break.

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… and you’re back in the room.

This made me happy. Thank you Dan, Andy, Paul, Rick and Wil for bringing me this lovely image. Let me explain…

I think every fan has a character they hate with a fiery, irrational passion. For me, its Lilandra Neramani, Empress (occasionally) of the Shi’Ar Imperium and the most potent argument for democracy over monarchy in comics.

Seriously, if the will of the people were exercised in comics, I doubt the Shi’Ar would choose Lilandra as head of state. Why do I think she is so shit? Oh, let me count the ways:

1) Lost her empire to her crazy brother. Okay, once I can forgive. [Claremont’s Uncanny X-Men]
2) Lost her empire to her crazy sister. Her crazy sister whose name was been erased from history and reviled by the very people she ruled since BEFORE he ruled them. [Claremont again]
3) Lost her empire to her crazy brother-in-law. You know a theme is being pushed when you get as far as the brother-in-law. [Ed Brubaker’s Fall and Rise of the Shi’Ar Empire] The woman has lost her empire three times, you can hardly argue for the strong continuity of leadership provided by monarchy with this woman.
4) Attempted genocide against the Kree after all her fine talk of peace and harmony in the wake of her siblings’ time on the thrown. [um, dunno, sometime in the nineties, I think]
5) Got possessed by Cassandra Nova, started a war, practically ruined the empire and no one seemed to guess something was wrong including her closest and wisest advisor. They probably just thought the family resemblance was starting to show. [Morrison’s New X-Men]
6) Employs a bodyguard she clearly cannot trust and who tries to kill her every time someone else takes the throne and orders him to do so.
7) Keeps swanning off not just out of her empire but out of her galaxy to shack up with Charles Xavier. From the Shi’Ar point of view this might actually be bestiality.
8) Was once outvoted in Galactic Council by her own subconscious. [Maximum Security]
9) Cannot fight. By the evidence of D’Ken, Deathbird and even Vulcan the Shi’Ar seem to like martial prowess in their leaders and one would have thought after having to fight to reclaim her empire three times the woman would have learnt one end of a sword from another but no, Jim Lee once even drew her hiding behind a power armoured Charles Xavier in battle. Yes, THAT Charles Xavier, in bright yellow power armour.
10) What’s the point of being an avian species if you don’t have wings? Yet another reason why her sister is better.

Seriously, next Games Day I am shaking Abnett by the hand for this. Never mind bringing Mkvenner back to the Gaunt’s Ghosts novels, this clears all complaints I might ever have about the man’s work.

But seriously, Marvel, one last time for old times’ sake: Dead. Means. Dead.

… please?

Rant ends. Peace Out.

Monday, 11 January 2010

The Mysteries of the Towel

“Nothing happens at all! Its like a publicity video for Madame Tussaud’s made by Andy Warhol!”
- Charles Prentiss (Stephen Fry) on Big Brother, Absolute Power

So, yesterday I walked into the works’ canteen and the TV was on. One of the baker’s was watching Big Brother. Now, before we begin I should mention I really don’t get Big Brother. If I want to look in on a house full of boring people doing nothing and talking about themselves all the time I have a family.

But, anyway, I walked in and, I swear this is true, the image on the screen was of a pink towel with little cartoon penguins on it lying on the floor. No voices, no sounds, just the camera staring fixedly at the towel lying crumpled on the floor.

As I say, this was the image on the screen when I walked in. It stayed that way for well over a minute.

Am I missing something? I know as a Doctor Who fan I have a strange ideal of entertainment (I watched The Twin Dilemma, for fuck’s sake) but… is that normal for an episode of Big Brother?

Saturday, 9 January 2010

So, I Had This Plan...

… and we’ll get to why it didn’t transpire in a bit. So, for nearly a week the post that has sitting and festering at the top of the page was an old Fiction Friday story I rewrote on a whim. As I said, my intention to write more needed to actually include action so I’m reactivating The Eclectic Chair.

Originally I was going to post the Other Skies story here and on the Chair on Sunday (which I did) and explain it all on the Monday (which I did not). So, explanation the first:

I’m writing my own fiction again and I’m putting stories up on The Eclectic Chair, the site I, Matt and Junius started a little over a year ago. We all fell out of the habit somewhat but Matt is talking about going back to it, Junius always has a million ideas to work on and I just wanted that warm glowy feeling again when someone says they like what you’ve written.

So, most usually on Sundays (not this one, see explanation the second) I’ll try to post something on the Chair, the entry here at Less Than Reputable was intended to drum up interest (which it did) and get people to visit the other site (which it did not). I have two ideas: Other Skies, a horror and mystery anthology series; and Curious Sorts, a comedy which as I write this is mainly gravitating towards a village church. From now on, though, they’ll just be on the Chair.

Plus, Jodi Cleghorn of Write Anything picked a story of mine as one of her favourite short stories of the year (warm feeling, all glowy…).

Now, explanation the second, on the subject of my recent inactivity:

I got mugged on Monday night. I got off lightly with a broken nose, two black eyes and the loss of my bag but it put me out of commission for a week, mainly because I couldn’t wear my glasses without severe discomfort. But now I’m back and ready to hold forth on all the subjects that have been backing up in my head since I haven’t had a chance to get them out including “Geronimo”, the significance of a towel and THE BLOODY SNOW!

I swear, I’ve sustained more injuries from falling on the bloody snow than that from being beaten by a gang of toughs, its ridiculous.

Sunday, 3 January 2010

Other Skies. Mister Mason Plays With Dolls

So, my stated intention this year is to write more. There are stories I started, characters I created that need to be worked on or they won’t shut up. So here’s the first in my New Year’s Resolution to create, cross-posted both here in the old Sunday Page slot and as the first new story the Eclectic Chair has seen in nearly six months. All feedback welcome.

Other Skies
Mister Mason Plays With Dolls
by James Douglas Ashelford

The harsh rasp of footsteps on the gravel drive drifted in through the open window as Jeff Mason tried to get to asleep. It had been a long day in the conference rooms of the Dorchester Manse and he wanted to sleep. Buzzed as he was from too many coffees between meetings, it just wasn’t happening. He always slept with the window open, always, an unfortunate little habit in a travelling businessman. Back home the sounds outside his window didn’t bother him, every nocturnal rustle and clatter assimilated into his sleep rhythms but on the road…

The footsteps grew closer, louder, more urgent, more rapid. In a little corner of his mind he registered an odd note in the ordered march of crunches, out of kilter with the pace of the others. A half-amused grunt issued from his throat. Probably Piers, he thought, being dragged back legless by those two cronies of his from Human Resources.

Trying to block out the sounds of that damned fool Piers’ drunken stumbling, Mason turned over and dragged the quilt up over his shoulders. As his head came down on the pillow, however, he felt something hard press into his cheek as he crushed it down against the mattress.

He only had a second to register the sensation before a scream jerked him awake.

He was upright and wide awake before he knew he was moving.

Bloody kids, he thought as he threw on his dressing gown, marching unsteadily to the window. Wrenching the window open he fixed his gaze on the three people down on the drive: an anonymous looking man in a dark suit, barely visible in the gloom; a young man with shocking blond hair who leant heavily upon a crutch and a young woman lying prostrate on the ground.

‘Shut the hell up!’ he yelled out at the little group. Bloody kids, getting drunk and waking everyone up. His anger sated for the moment he moved back to his bed. With an exaggerated sigh he fell down but sleep didn’t come. That lump under the pillow nudged gently against his head, a bothersome distraction from rest.

Swearing quietly to himself (he was nothing if not considerate to his neighbours) he dug his hand under the pillow, snatching it back when he felt something sharp dig into the flesh of his finger. Okay, that had to go, whatever it was. Sucking his bleeding finger he used his other hand to throw the pillow aside revealing a small, somewhat rough-looking rag doll. The doll had a card tied to its stubby leg. Attached to the card with sticky tape was a long sewing needle. The label read: “Wet paint. Do not touch. HT.”

Nonsense, Mason though, turning the doll over gently in his hands. As he was examining it a detail struck him: the hair was real, not nylon like the dolls his daughters played with.

Go on.

What was it? In this day and age what child played with a rag doll? And what kind of doll came with a pin?

Go on.

He found he couldn’t take his eyes off the doll and his fingers played with the needle stuck to the card. He knew full well what the doll was now, he knew what it was for, the word coming unbidden to his mind:

Voodoo.

He laughed, a harsh bark breaking the silence of the darkened room. A voodoo doll, God knew why it was in his bed. Probably belonged to one of the hotel cleaners. The doll’s obviously real hair was blond and its figure, though crude, clearly female.

The hotel manager, perhaps? An unpopular supervisor? An ex-lover?

Go on. Do it. It’s a silly little doll, go on. Take the pin, you know you want to.

He pulled the pin from the card and brought it up to the doll. He ran the point down the doll’s featureless face, scoring the material as he tried to decide where to stab it.

The heart. Come on, you’ve seen the movies, go for the heart.

Yes, the heart.

Tap. Tap tap tap.

Startled, Mason dropped the pin and snapped around to face the window, the source of the sudden intrusion. He hid the doll behind him like a guilty secret. From outside the window an owl, unable to enter through the small gap he’d left open, regarded him with sharp, predatory focus. It locked eyes with him, tap-tap-tapping its tiny hooked beak against the glass.

From outside, beyond those accusing predator’s eyes, Mason could hear someone running up the drive. Heavy footfalls, determined, unstoppable.

Turning his eyes from the owl he returned his focus to the little doll.

Go on.

Jeffrey Mason wasn’t a man given to panic but he couldn’t deny the quickening of his pulse when he realised he’d dropped the pin. Casually dropping the doll down on his bed…

from outside, a choked gasp, the sound of sobbing

… he dived to his knees and, heedless of the risk of another pricked finger, began thumping his palms against the carpet in search of the pin.

All the time the owl tap-tap-tapping its hooked beak insistently against the window as if trying to get his attention.

His blood pounded in his ears, his hands banged against the carpet, the owl tapped on the glass and all the time his panic rose and his breath came more and more raggedly. By the moment someone knocked on his door he was on the verge of hyperventilating, halfway across the room from where he had started his manic search.

When the first knock came he looked up at the door but made no move to rise, quickly returning to his frantic thumping of the carpet. The second and third knocks passed without him even acknowledging them.

Find it. Find the pin, damn you, find the pin. Quickly, quickly.

The knocking became more insistent, more violent, shaking the door in its frame and breaking through the levels of obsession gripping Mason’s mind. In a towering rage he leapt to his feet and bolted towards the door, wrenching it open with the full intention of giving whoever it was disturbing him a damn good piece of his mind.

‘Good evening,’ said the man on the other side of the door. ‘I am looking for a doll.’

All Mason’s bluster, his choice words, his righteous indignation at being interrupted, died on his lips as he looked at the newcomer: he wore a charcoal grey suit that hung on his body in a way that was subtly wrong. The angles of his body were just slightly too sharp, seemingly somehow inorganic. His face was lined, cracked like mud dried on a hot day and the same colour. He wore a hat but seemed to be bald beneath it as no hair peeked out beneath the brim.

He was also possibly the tallest and widest man Mason had ever met. Despite this the man spoke with exaggerated politeness if rather bluntly. The man turned his head (and no other part of his body, not his shoulders nor torso, it seemed) to regard Mason’s bed.

‘That doll,’ the man concluded. ‘You will kindly bring it and follow me.’

* * * * *

Mason followed the man down the gravel drive, clutching the rag doll to his breast like a child clutching its teddy bear as they wander the midnight corridors of their home after a bad dream. His earlier panic had subsided and he was beginning to question his actions.

‘Why don’t you just take it?’ he asked the man, thrusting the doll at him.

‘No,’ the man said simply before elaborating: ‘I might damage it.’ His even, unwavering voice betrayed no emotion but Mason saw in the man’s dark eyes a fear that struck him as nothing short of pure terror.

So now he carried the doll down the drive in the polite giant’s wake, making for the two figures sat in the middle of the path.

One was the young man with the blond hair, his crutch lying abandoned in the gravel as he tended to the woman lying in his arms. She’d obviously been attacked: a vicious cut ran the length of her face, spilling blood down her neck and into her long, blonde hair. Several of her fingers were obviously broken and every inch of exposed skin carried a bruise. She breathed raggedly, staring straight at Mason and the toy he carried.

As they approached, the young man’s head snapped around, fixing Mason with a look like he had every reason to leapt forward and tear the businessman apart with his bear hands.

‘The doll…’ the young woman gasped from split and bloodied lips as Mason and his escort drew near. ‘Give me… the doll.’

Stepping forwards, Mason passed the doll with great reluctance, like he was giving up something special. The woman’s face split into a pained smile as she clutched the doll’s body in one broken and battered hand and its hair in the other. With one jerking motion and a cry of pain at the exertion she tore the hair from the doll and collapsed.

‘Ambulance,’ the younger man said, cradling the unconscious woman in his arms as he kept his hawk-like gaze…

sharp, focussed, predatory

… fixed on Mason. ‘Now.’

Mason ran back to the hotel.

* * * * *

The next morning the business conference ended and Mason sleepwalked through the final round of meetings. In spite of his inattention and his preoccupation with his encounter of the night before, he was surprised to be taken aside by their client and offered a job.

‘I have a gift for spotting the right sort of mind, Mister Mason,’ the client explained in his soothing, cultured European accent. ‘You most definitely have the right sort of mind for my operation: open, susceptible to new concepts. I’d greatly like you to come and work for me, I think we can do great things with you.’

And that was how Jeffrey Mason came to work for Haargen Turan.

WRITER’S BOX
This story is the work of James Ashelford and may not be reproduced, archived, reposted or otherwise used without his express permission.

The original draft of this story was prepared for a Write Anything Fiction Friday prompt (“During his third night out of town, a travelling businessman finds a voodoo doll in his hotel room”). I rediscovered it recently and I’m working on new stories for the characters. All feedback gratefully accepted.

Cross-posted to The Eclectic Chair.

New Scanner Set Up, Smut Ensues

So, I got a scanner for Christmas. I needed one, mostly for New Readers… business but also for a few other things. I like playing with pictures, you see, and not having to go hunting across the internet for what I’m trying to find.

And there’s one image I’ve been meaning to scan for ages, a bit of prime Silver Age innuendo courtesy of Batman #192 (June 1967):

Tuesday, 29 December 2009

The Ami Angelwings End of Decade Meme

I’ve been got at. It was only a matter of time. From that first moment I engaged a commenter and fellow blogger in conversation, my fate was sealed.

I’ve been dragged into a meme. An “end of the decade” meme, formulated by Ami Angelwings and flung my way by Saranga, both of whom I respect and one of whom is my sometime-partner-in-crime so I can’t legitimately ignore them.

So, three categories, three awards, ten years to choose from and the more creative the better. In a competition that has already seen Greatest Weasel Words in Sports of the Decade that’s a pretty tall order. But here it goes…

Most Bizarre Useless Culinary Invention of the Decade: Ready Egg. You may not remember this crap idea but it went thus: a plastic bottle of ready-beaten egg marketed towards people (and I swear I am not making this up) who wanted to make cakes but didn’t want the bother of beating the eggs themselves. In practical terms of time saving that’s like speeding up the job of painting your living room ceiling by getting a ladder with the rungs spaced further apart so it takes less steps to get up there.

Ludicrous.

Personal Failure of the Decade That I Will Fix in the Next Decade: The Eclectic Chair and my writing in general, I guess. This blog itself was originally meant to showcase my own fiction but that fell by the wayside and then when Matt and Junius fell out of love with the Eclectic Chair project I fell out of the habit of writing as well.

But I’m getting back on the horse. If nothing else I’ll never forgive myself if I leave Reyes alone, depressed, exiled, sexually frustrated and co-habiting with a dead monk in the drafty ruins of a monastery forevermore. If I can’t find her a girlfriend, I should at least find her adequate heating.

Worst Tasting New Art Product of the Decade: I paint and I hate buying new brushes. Solution: lick my brushes after washing the paint off, few things better than human saliva for keeping the bristles close and the brush ends pointy. As a consequence I’ve probably consumed several times my own body weight in watercolour and acrylic over the years.

And the winner is: Citadel Paint’s Mechrite Red Foundation Paint, which stands apart even amongst the putrid-tasting multitude that is the Foundation Paints range. For those curious, best tasting (or least offensive) of the Citadel range is the Citadel Colour Scorched Brown, which is good as it was the base colour for just about everything before the Foundation Paints arrived.

*****

And now we come to the problem. You see, I don’t really know many other bloggers. My “active online life” as it were pretty much started just six months ago when Saranga called me out on a point of argument. Amongst the most productive “What the hell are you on about, mate?” of my life but still, there it is.

Apart from her, Ami set the thing and SallyP’s already tagged so this goes out to all the others in the Followy People Thing Box up the side. So, stand up and be counted mj1569, gie_giant, The Igloo Keeper, bippi, DorothyL (no relation to SallyP, I shall assume) and austin-mcmulin. Those with blogs, post and link back to Ami, those without: that’s what comment sections are for.

Let the madness continue.

Monday, 28 December 2009

Free Willy, Gangsta Whale

So, you know those times when you walk in on someone else as they’re watching television and you catch what they’re watching at the most surreal moment. I remember a few years ago Matt and I were watching Next Generation and Dan walked through the door at the exact moment that the first thing he saw was a dishevelled, bearded and hysterical Patrick Stewart screaming “You are a six year old boy!” directly to camera.

I had one of those moments today.

You see, today the canteen television was tuned to an afternoon showing of Free Willy. I walked in during the scene where the they’re trying to free the whale from his shattering aquarium but he won’t leave so the boy jumps in and pleads with the whale.

Because in Hollywood, this sort of shit works.

But what I saw wasn’t a nauseating scene from Free Willy, it was a lad holding a whale’s cheeks and begging him “You’ve got to co-operate, Willy!”. It was like one of those scenes in gangster movies where the criminal with a heart of gold has been offered a deal but he won’t roll over because there’s honour among thieves but it’ll mean the chair for him and his girlfriend comes to see him in prison and starts crying and holds him by the cheeks, looks him in the eyes and begs him to co-operate.

Yes, in my mind, for five glorious seconds, Free Willy was a mafia killer whale.

I have got to write that story.